One of the perks of being a writer/
blogger is that I am able to write about whatever and whomever I want. I am
definitely in my interview phase of my career right now and I am trying to meet
as many people as possible. There are a lot of individuals that fascinate me,
and I plan on meeting them all. I have created a lengthy list and I am gleefully
working my way down it and joyously scratching off the names of the people that
I've interviewed. Yep, I’m gettin’ my Oprah on. Lol!
One of the people that I have admired for the longest time and tracked the career of is Dalton Higgins. Dalton is an outrageously talented writer. He holds the auspicious title of being Canada's sole expert on hip hop culture. He’s written for Now Magazine for 10 years, and he has freelanced for Source Magazine—widely considered to be the hip hop bible. He is an educator, speaker, father, husband and an incredibly talkative dude.
Dalton has 5 books under his belt. The latest one called "Far From Over:The Music and Life of Drake, The Unofficial Story. “ Some might think that I reached out to Dalton because I wanted to get one step closer to meeting my boo Drake.....but they'd be wrong. It’s Dalton I wanted to meet. I've been in awe of Dalton for so long, it was an absolute pleasure getting to know him and talking about everything from old school roller-skating jams, Chris Rock’s Good Hair movie to Spike Lee.
One of the people that I have admired for the longest time and tracked the career of is Dalton Higgins. Dalton is an outrageously talented writer. He holds the auspicious title of being Canada's sole expert on hip hop culture. He’s written for Now Magazine for 10 years, and he has freelanced for Source Magazine—widely considered to be the hip hop bible. He is an educator, speaker, father, husband and an incredibly talkative dude.
Dalton has 5 books under his belt. The latest one called "Far From Over:The Music and Life of Drake, The Unofficial Story. “ Some might think that I reached out to Dalton because I wanted to get one step closer to meeting my boo Drake.....but they'd be wrong. It’s Dalton I wanted to meet. I've been in awe of Dalton for so long, it was an absolute pleasure getting to know him and talking about everything from old school roller-skating jams, Chris Rock’s Good Hair movie to Spike Lee.
So without further ado, meet Dalton
Higgins.
When
did your love for the written word begin?
I grew up in a very Caribbean household….my
parents are from Jamaica. My mother has a voracious appetite for
literature and reading. Growing up in
the Higgins household, there were magazines and newspapers everywhere. Lots of Caribbean literature—everything from
Miss Lou (she popularized nation language- patois). I also collected comic books when I was
younger. I was into X Men, Spiderman, Iron Man, Green Lantern. I had a very large collection of comic books.
When
did you start writing?
When I was at York University, I
volunteered at Excalibur—the York newspaper.
It was a great opportunity….it was like a free education. At Excalibur it was hands on training. So I
was reporting, editing, snapping pics. I would go and check out the York Lions
(the basketball team). I covered some of their games for Excalibur. I interviewed the players, wrote about what
transpired in the game and took pics. It
kicked off my interest in journalism.
How
did you start writing for Now Magazine?
One day I was checking out the launch of
this Rastafarian magazine called I Rasta Facts. I got to cover it for
Excalibur. I was hanging out with this
journalist, Ali Sharif. He was a
reporter with Now Magazine. We got to
talking…hit it off. We were talking
about Now Magazine and he introduced me to Zuhair Kashmeri. He was a senior editor at Now Magazine. We all went for coffee one day, and talked
about ideas. I have a lot of ideas. That’s what I do, I traffic ideas. He was like, “Man, you have some pretty
strong ideas! You’re writing for
Excalibur, but do you have any interest in writing for Now Magazine?” I was like, “Of course! I can get paid to do this!” So he threw me my first story. I made about
$75. I was writing for Now Magazine while I was at York. It helped to pay my tuition. I wrote for them
for about 10 years.
Do
you feel that your education has helped you become a better writer?
I did a joint program with Centennial College
while I was at York—The Book and Magazine Publishing Program. I completed a
degree at York; I studied English Literature and Mass Communications. While I was at York, one day of the week I
was at Centennial doing the publishing program. The program was new at the time. I think I was part of the first year they had
it. Parts of the Book and Magazine
program did help me in writing feature stories for magazines—what I ultimately
ended up doing a lot of.
Also as a writer, you have to read a lot
and also write a lot. You have to be into language. I am constantly wanting to expand my
vocabulary.
How
does it feel to have the title Canada’s expert on hip hop culture?
I’m into hip hop. I live it. I study it.
I document it. I’ve been documenting the
culture before it was sexy and saleable. There’s a lot of bandwagonism. People are jumping on this talking about Drizzy
is great! Kardinal Ofishall, K-os, K’naan, Michie Mee,
Maestro…. I was documenting their lives
and careers well before it became fashionable. Because I grew up around the
Eglinton and Oakwood neighborhood, which is affectionately referred to as
little Jamaica, I know Michie Mee – Canada’s first lady of hip hop. I knew
her before she was Michie Mee. When hip hop was in its infancy, I was
documenting the culture almost since its inception.
I was in it before people cared about
hip hop culture like they do now that Drizzy’s blown up. I was
always doing interviews. One of my proudest moments is working on the Hip Hop Summit (2011). I was able to take that skill set, those connections I have
across Canada to get most of the artists that have done great work that is
historically significant as far as black music in this country, and get them
all on one stage. I was the content
manager for The CBC Hip Hop Summit. I
was able to get Red One from the Rascalz, Ghetto Concept, Reema Major, K-os,
Kardinal Offishall, K’naan, Maestro, Michie Mee, Shad. I was
one of the people that worked in the shadows of it. Imagine being able to get
Michie Mee, Kardinal Offishall, K-os, K’naan, Dream Warriors on one
stage. It was fantastic seeing everyone on one stage. It’s one of my shining
moments as far as using my connections in the hip hop industry.
Why
did you decide to write about Drake?
Drake is an interesting character. Whether you love or loathe Drake, he’s
somebody I always felt you need to be paying strict attention to. The question
I wanted to have answered in the book is how in the hell does a biracial black
Jewish kid coming from Forest Hill (an affluent neighbor in Toronto) …how does
he end up topping billboard charts? Given that historically, Toronto has not
had a chart topping rapper / hip hopper, or any rapper here that can say they
have recorded with Jay Z, Lil Wayne, Kanye West. His story is an interesting
one. He’s only 26 years old and he seems to have captured the imagination of
this generation. At a time where people don’t buy CDs, people buy his
CDs.
What
do you respect about him?
Drake made it okay to dream and dream
large. He’s a kid from Toronto and he
sits atop billboard charts. He’s won a Grammy.
We have this inferiority complex—musicians and artists that come from
Canada. He made it okay to think big. He gives hope to Canadian musicians. For up and coming, burgeoning music talents
from Toronto, that they can one day become a billboard chart topping rapper or musician.
I also respect his social media game.
He’s popularized using social media. He’s been able to leverage his social
media to generate a ton of revenue. He released tracks online through his
mixtapes. He cut out the middleman. People
are always waiting on their record company to blow them up. Drake and his camp didn’t really care about
that, they were blowing up on their own.
He had a lot of followers online. He didn’t need a company to give him a stamp
of approval to release music. He had
crazy buzz online.
What
are your thoughts on the Canadian urban music industry?
It’s a very tenuous relationship hip hop
practitioners have with the industry here. There doesn’t seem to be a real infrastructure
to support rap, reggae, soul and r&b music. So what ends up happening is
that a lot of artists end up getting the hell outta dodge. That’s the story with most Canadian
artists. All of our success stories-
k-os, Melanie Fiona, Deborah Cox… got their first break in the States, they
didn’t get it here. In the book I blow
up that romantic notion of the Canadian urban music industry.
What
advice would you give to budding writers?
DIY.
Do It Yourself. It’s an acronym that
I live by. Rather than wait around for
people to endorse you, or to endorse your work as a writer or musician, you
need to go out and do it. Strengthen your social media game. Blog your ideas. There are communities of people that will
appreciate what you have to say. Use the web.
Sadly,
our meeting came to an end after Dalton received an important phone call. We
are both chatty people, so I’m sure the interview could’ve lasted for another 2
days! Even after meeting and getting to
know Dalton, I am still in awe of him. Truly one of the coolest brothas! Thanks
for the cool vibes, Dalton!
Michelle
